All Anime Applications Games Movies Music TV shows Other

[experimental rock, free improvisation, free folk] David Coulter - 1999 - INterVENTION (FLAC)

    Seeders : 0      Leechers : 0

Note :

Please Update (Trackers Info) Before Start "[experimental rock, free improvisation, free folk] David Coulter - 1999 - INterVENTION (FLAC)" Torrent Downloading to See Updated Seeders And Leechers for Batter Torrent Download Speed.

Trackers List

Torrent File Content (26 files)

Description

Music : Other : Lossless
      

Fringecore Records FR004.

1. Kinsnow Orchestra 3:36
2. How Can I Love Thee? 1:27
3. Broken
Mass 3:51
4. Picnic On... 2:18
5. Harmonik 5:55
6. Shinju (Pot Etude #3) 3:28
7. Widow's Lament
5:30
8. Wailing / Seesaw 4:24
9. Darkness Aside Trail 3:10
10. Slide Krar Story 5:48
11. a. Looking
At Trees 4:22
    b. Vocus Solus 2 1:23
12. Stagefright 1:54
13. Polaroids (Interventions In 10 Parts)
5:50
    i. Sandpaper Blues I
    ii. Have You Seen?
    iii. Shitkicker
    iv. ...The Cry (Part
1)
    v. Sandpaper Blues II
    vi. ...The Cry (Part 2)
    vii. Descent
    viii. No Sin...
 
  ix. ...The Cry (Part 3)
    x. Mosquito

Composed by David Coulter (1,2,3,10,13viii), David Coulter
& Graeme Miller (4), David Coulter & Ghedalia Tazartes (5), David Coulter & Palix (6), David Coulter &
Chris Long (7,11a), David Coulter & Brad Scott (8), David Coulter & Paul Buck (9,13ii), Palix (11b), David
Coulter, Brad Scott & Jeff Rian (12), Coulter/Ribot/Nieve/Teodori (13i,13v), FATCRACKER
(Coulter/Long/Blane/Castello) (13iii,13x), David Coulter & Phil Minton (13iv,13vi,13ix), David Coulter & Terry
Edwards (13vii)

Recorded at:
Tapage Club, Paris 2/96 (1), 4/99 (3,8,11,12), 1990 (5), 1/97 (6), 12/96
& 4/99 (10)
Vada, Stratford by Matt Terry 4/99 (2)
Norbury Park by Graeme Miller 5/98 (4)
FG2,
Stratford 3/98 (7,11)
Kaaiman, Antwerp 11/98 (9)
Whitfield, London 7/95 (13i,13v)
Live at MOMA Oxford
3/98 (13ii), 10/97 (13iv,13vi,13ix)
Live at Bucks 5/98 (13iii,13x)
Red Church, London 6/96 (13vii)
Live
at The Other Space, Stratford 3/98 (13viii)

Mastered at Nightingale / Antwerp by Derek Woodgate & Eric De
Weert

Produced by Palix & Coulter

This recording is dedicated to Sarah-Jane & Otis

Front cover photo: Henrik Thorop Knudsen
Rear cover photo: Suzanne Nagy K.
Other photos: Alexander
Moust

Liner notes: Dee, 1999

David Coulter: jew's harps (1), krar (1,10), one-string fiddle
(1), soprano saw (2,8), voices (3,11,13vii), piano (3), violectra (3,7,13x), baritone saw (4), violins (5), accordion
(5), terracotta pots (6), paper (6), double bass (8), shaker (8,10), didjeridu (9,13iii,13vi,13ix), viol (10), bowed
bass (10), guitar (11), clapping (12), berimbau (13i), bowed bass guitar (13ii), slide didjeridu (13iv), double
didjeridus (13v), euphonium (13vii), conductor (13viii)

Palix: electronic landscape (1), electronic
& African percussion (6), editing (8,13), percussive bass guitar (10)
Brad Scott: double bass
(1,8,10,11,12), clapping (12)
Jeff Rian: guitar (1,12), clapping (12)
Iain Morris: recitation
(2)
Graeme Miller: strings (4)
Ghedalia Tazartes: voice & accordion (5)
Eve
Couturier: voice (6,10), vinyl (10)
Chris Long: harmonium (7), piano (11), keys (13iii,13x)
Paul
Buck: voice (9,13ii)
Marc Ribot: guitar (13i), simultaneous guitar & Eflat horn (13v)
Steve
Nieve: piano (13i,13v)
Muriel Teodori: voice (13i,13v)
Gavin Blane: bass (13iii,13x)
Ben Castello: drums (13iii,13x)
Phil Minton: voice (13iv,13vi,13ix)
Terry Edwards:
melodica (13vii)
Students from the School of Performing Arts, Stratford College: voices (13viii)
Ben
Hicks: sampler (13x)

David Coulter is well known among musicians as a sideman of enormous talent on
virtually any instrument he chooses to play and can perform in almost any musical setting. (Hint: he was in the Pogues
and the industrial power unit Test Dept. at the same time.) His debut solo album on Young God (label boss Michael Gira
has a knack for discovering new talent and recording them before anyone else does) is a compendium of Coulter's amassed
musical and sonic knowledge. The disc opens with "Kinsnow Orchestra," on which Coulter plays jew's harp, krar,
and one-string fiddle, while being accompanied by a sheet-like soundscape by Palix, a double bass, and guitar. There is
an Indian raga feel to the piece, but it has no time signature, it's all microtones strung together in rows. On
"How Can I Love Thee?" Coulter's soprano saxophone accompanies an over-the-phone reading by Iain Morris of
Elizabeth Barrett Browning's poem of the same name. It's darker-than-night feel gives the impression of a suicide note
being left on an answering machine. When Coulter writes his short "Broken Mass," one can hear the Kyrie
Section of the orthodox liturgy cut short all but one tone and three notes. Coulter does a vocal in the tradition of the
Tuvans and Tibetans meeting in the Himalayas while using a plectra violin and a piano for sonic architecture; it doesn't
tower above you, it floats through your body, leaving a longing for the sacred with the taste of the profane on your
skin. On "Harmonik," where the entire piece is a dance tune created and executed in just intonation with
Ghedalia Tazartes on vocal and accordion, the overtones come from the sawing of the violin in its high register, just
behind its own drone and the accordion pulsing with the organic percussion the same series of chords over and over
again. The effect is not just hypnotic, it's entrancing. Coulter's record is virtually an identifiable as genre music --
it doesn't even fit in the world music category because more often than not, whether he's playing violins, saxophones,
the didgeridoo, ukulele, or singing, his music sounds as if it were from another world, where musical languages are
interchangeable and complimentary rather than codified and restrictive. His mates on this date are as varied as the
music from avant jazz/improvisational vocalist Phil Minton, guitarist Marc Ribot, and pianist Steve Naïve, all of
whom appear on the album's astonishing closer, "Polaroids," a composition of such dynamic and textural wealth
and modal invention it appears to defy musical logic while sounding so far inside Western musical systems as to be
inherent in their origins. Intervention is a confoundingly beautiful work from an artist whose name should be synonymous
with the term "original." - Thom Jurek, AMG          
                                                 Show Demonoid some love with  BitCoin: 1DNoidJdotDyNMm5CxA8XfbgCH8KsCjco3  How to get BitCoins?  
     

Related torrents

Torrent Name	Added	Size	Seed	Leech	Health
[experimental, electronic, free improvisation] Alfred 23 Harth & Wolfgang Se..	1 Year+ - in Music	361.06 MB	0	0
[Folk, Jazz, Post-Folk] David Grubb - Circadia 2024 FLAC (Jamal The Moroccan)	2 months ago - in Music	293.89 MB	1	0
[Progressive Rock, Classic Rock] Free to Grow - Along for the Ride 2024 FLAC (Ja..	5 months ago - in Music	302.48 MB	0	0
[noise, electronic, free improvisation] The Transhumans - 2007 - Into The Maelst..	1 Year+ - in Music	534.93 MB	0	0
[Classic Rock] Free - All Right Now - The Essential 3CD 2018 FLAC (Jamal The Mor..	1 Year+ - in Music	1.07 GB	1	0

Note :

Feel free to post any comments about this torrent, including links to Subtitle, samples, screenshots, or any other relevant information. Watch [experimental rock, free improvisation, free folk] David Coulter - 1999 - INterVENTION (FLAC) Full Movie Online Free, Like 123Movies, FMovies, Putlocker, Netflix or Direct Download Torrent [experimental rock, free improvisation, free folk] David Coulter - 1999 - INterVENTION (FLAC) via Magnet Download Link.

Comments (0 Comments)

Please login or create a FREE account to post comments